In this class, we will build a splayed-side tool tote. This project is designed to stretch your hand tool skills and show that anyone can complete the project. We will make angled dovetails, tilted grooves, and a steam-bent handle, assembling everything without glue, and doing it completely with hand tools. The project is intended for beginners and intermediates alike, and the goal is to conquer apparently complex hand tool skills and bring them within the reach of any woodworker. And in the end, you can take home a quality-built tool tote you can cherish for the rest of your life.

Class fee: $500

Materials fee: $50

James Wright has been working with wood since he could stumble into his father's shop. This led to a career in woodworking and design. But after years of power-tool woodworking, life circumstances forced James to switch to hand tools only. The hand tool workshop allowed James the time to slow down and enjoy the process. He is now a full-time woodworking educator and YouTuber with over 500,000 subscribers across two channels, and travels around teaching hand tool woodworking in person and online.

In this weekend class, students will learn a few fundamental metalworking and woodworking techniques to create a series of small marking and layout tools. In the making of a marking knife, small bevel gauge, and a square, we'll learn about different metals and their applications (tool steels, brass, and bronze), learn to to file, grind, heat treat, drill, hammer, sand, and cut our metals, and we'll make wooden handles by incorporating cutting and shaping techniques using the bandsaw, drill press, sanders, and various hand tools. This class will be a practical way for any woodworker to dip their toes into metalworking.

Class fee: $275

Materials fee: $25

Class size limited to 8

Sophie is a metalworker, woodworker, and furniture maker currently based in Reading, PA. She makes classic furniture designs recreated out of steel to give voice to women in both the woodworking and metal fields, and she utilizes steel in the making of her work to explicitly expand upon the materials that are considered to be part of the fine furniture making field. Sophie received her MFA in Furniture Design and Woodworking from San Diego State University, and BFA in Sculpture and Drawing from SUNY Purchase College. She has exhibited her work across the country, including Blue Spiral 1 Gallery (NC), the Center for Art in Wood (PA), and the Metal Museum (TN), and has been fortunate to receive several grants, fellowships, and residencies to help advance her career, including the John D. Mineck Fellowship in 2022. Sophie currently teaches at Kutztown University and has taught workshops at A Workshop of Our Own, Penland School of Craft, Arrowmont School of Arts and Crafts, the Appalachian Center for Craft, and Haystack Mountain School of Crafts. https://sophieglenn.com

Create a unique and classically sophisticated house plaque using steel and brass. Students will shape sheet steel and brass though cutting and piercing to create a personalized contrasting layered design to reveal home address numbers or monogram. Chased decorative elements may also be added. Students will learn to use jewelry saws to cut accurate and intricate lettering, hand riveting, an introduction to steel chasing, and finishing techniques. Methods of designing to tools and processes will be discussed.

Class fee: $250

Materials fee: $50

Class size limited to 6

Brian took his first blacksmithing class in 2005 under local smith Richard Rightmyer to learn how to make his own woodworking tools. Captivated by the feel of hot metal under the hammer, Brian poured all his free time into advancing his smithing skills taking classes whenever he could. Brian began teaching blacksmithing and coppersmithing in 2012 and has demonstrated at many public events and conferences. Recently, he has focused on the art of copper chasing, finding the meticulous attention to detail it requires to be a form of meditation in motion. Brian is an electrical engineer by day and holds a 6th Degree black belt in Aikido. He finds many commonalities with the efficient body movements of martial arts and the proper ergonomics for blacksmithing and coppersmithing. Brian has blended the arts to create effective and safe hammering techniques for people of all sizes. s an engineer, he is fascinated by the science of blacksmithing, specifically the metallurgy that goes into tool making. He firmly believes that true learning happens when you are having fun.

Wendell Castle changed furniture history when he incorporated stack lamination techniques into his work. This allowed him to move away from “stick build” to more fluid pieces. This course will take you through the entire stack lamination process but will focus on the design and digital template creation front end. (The companion 5-day course will focus on the fabrication and carving processes.) Each student will create their own design. The process steps we will go through in class is as follows:

1. Sketch
2. Carve in foam or clay
3. 3D scan
4. Clean up model and manipulate
5. Digitally slice the model and to automatically create templates

Students will need to bring their computers for steps 4 and 5. Instructor Taeyoul (Terry) Ryu was a longtime employee of Wendell’s and is a master of the stack lamination technique. There will also be at least one full-time assistant instructor. Class size is limited to 10 students.

Read about Castle's pioneering techniques in this Fine Woodworking article, originally published in 1976.

Class fee: $350

Class size limited to 10

Taeyoul Ryu is a furniture designer with a BFA in Sculpture from the Chung-Ang University in Seoul, Korea and an MFA in Woodworking and Furniture Design from the Rochester Institute of Technology in Rochester, N.Y. Taeyoul worked for Wendell Castle for 17 years on all aspects of his work. Taeyoul is an expert in design, sculpting, and the stack lamination method. Taeyoul’s work has been featured in at least ten exhibitions at the Burchfield Penney Art Center, including six iterations of Art in Craft Media, a biennial juried exhibition at the center,In 2022. Ryu was named Langley Kenzie Prize winner and had an exhibition of his work, Royalty, featured at the Burchfield Penney Art Center. http://taeyoulryu.com/

There is no satisfaction like making something with tools that you've made. This workshop will focus on forging functional tools for use in the woodshop. Students will start by learning about appropriate steels and how to process them to bring out the desired qualities in hand tools such as durability, edge retention, and sharpenability. Students will then forge a drawknife and froe. Tools will be forged, filed, and rough ground prior to heat treat. After heat treating tools will be finish ground and sharpened as time allows. Students will also turn handles on a lathe. Final sharpening is an exercise left for home, though basic edge geometry will be established in the class.

Who Should Take this class:

This class is open a to all experience levels but prior forging experience is recommended. This is an interactive, hands on course where you will be forging tough materials and forge welding. Some project modifications may be made for those with less experience. Class will make use of hand and some power tools (grinders).

Class fee: $275

Materials fee: $50

Class size limited to 6

Brian took his first blacksmithing class in 2005 under local smith Richard Rightmyer to learn how to make his own woodworking tools. Captivated by the feel of hot metal under the hammer, Brian poured all his free time into advancing his smithing skills taking classes whenever he could. Brian began teaching blacksmithing and coppersmithing in 2012 and has demonstrated at many public events and conferences. Recently, he has focused on the art of copper chasing, finding the meticulous attention to detail it requires to be a form of meditation in motion. Brian is an electrical engineer by day and holds a 6th Degree black belt in Aikido. He finds many commonalities with the efficient body movements of martial arts and the proper ergonomics for blacksmithing and coppersmithing. Brian has blended the arts to create effective and safe hammering techniques for people of all sizes. s an engineer, he is fascinated by the science of blacksmithing, specifically the metallurgy that goes into tool making. He firmly believes that true learning happens when you are having fun.

Wendell Castle changed furniture history when he incorporated stack lamination techniques into his work. This allowed him to move away from “stick build” to more fluid pieces. This course will take you through the entire stack lamination process but will focus on the fabrication and carving steps. (The companion, 2-day, course will focus on the design front-end.) Each student will choose one of four designs to build or they can build what they designed if they took the preceding 2-day course, Design Techniques and Tools for Stack Lamination. Designs should be limited to a 12"x12"x24" envelope in order to finish the glue-up and carving within 5 days.. Templates of your chosen design will be provided to you. You’ll then trace the template on prepared stock, cut it out on a bandsaw, glue-up the laminations, and carve. We’ll progress through various power carving tools starting with an electric chainsaw and/or an angle grinder. We’ll then finish with hand tools. Instructor Taeyoul (Terry) Ryu was a longtime employee of Wendell’s and is a master of the stack lamination technique. There will also be at least one full-time assistant instructor. Class size is limited to 8 to ensure plenty of individualized attention.

Read about Castle's pioneering techniques in this Fine Woodworking article, originally published in 1976.

Class fee: $850

Materials: $100

Class size limited to 8

Taeyoul Ryu is a furniture designer with a BFA in Sculpture from the Chung-Ang University in Seoul, Korea and an MFA in Woodworking and Furniture Design from the Rochester Institute of Technology in Rochester, N.Y. Taeyoul worked for Wendell Castle for 17 years on all aspects of his work. Taeyoul is an expert in design, sculpting, and the stack lamination method. Taeyoul’s work has been featured in at least ten exhibitions at the Burchfield Penney Art Center, including six iterations of Art in Craft Media, a biennial juried exhibition at the center,In 2022. Ryu was named Langley Kenzie Prize winner and had an exhibition of his work, Royalty, featured at the Burchfield Penney Art Center. http://taeyoulryu.com/

This two-day overview class will provide a quick look at how woodworkers can use their tools and equipment to include elements crafted from non-ferrous metals such as copper, aluminum and brass. Students will have the opportunity to get hands-on experience cutting and shaping copper into a hanging light to bring home. The class will touch on drilling, tapping, bending, rolling and shearing metals, and well as various soldering alternatives for joining pieces together.

Class fee: $300

Materials fee: $50

Class size limited to 10

Andrew Glantz is a furniture designer and maker who lives and works in Scottsdale, Arizona. Born and raised on the East Coast, he graduated from the Frederic Gunn School, 1967 and Wesleyan University; BA, 1971 and MAT, 1972. After teaching Graphic Arts for ten years, he turned to period piece renovation and construction from 1978 to 1984. When he moved West in 1984, he began to devote his efforts solely to contemporary, sculptural furniture design and construction. He is the owner of Zenith Design, a one-person studio, and is responsible for all phases of design, construction and marketing. He is an arts activist and before moving to Scottsdale, he lived on the Navajo Nation from 1984 to 1987. He moved to Salt Lake City in 1987, and was involved with the Salt Lake Arts Council, the Salt Lake Arts Center, and the Utah Arts Council’s Endowment Fund Development Committee. He also ran the Vital Arts Gallery as volunteer executive director for three years and has curated several major exhibitions. He relocated to Scottsdale in 2002. A longtime member of the Furniture Society, Andrew was tapped to serve as a trustee in 2005, and served as treasurer, vice president and president of the board of trustees, as well as chair of the development committee. His term of office ended in 2011. He is an active advisor for the Southwest School of Woodworking. He teaches furniture design and construction at the Southwest School of Woodworking in Phoenix and the Marc Adams School of Woodworking in Franklin, Indiana. He is a presenter committee member of he Yuma Art Symposium. His articles on furniture design and construction appear in several trade magazines. He delights in mentoring makers far and wide through teaching and Zoom meetings from Florida to Utah and locally.

With an eye toward sculpture and design, this five-day project class digs deep into the legacy of Wendell Castle. Students will have the opportunity to create a 36” wide table with gracefully tapered curly maple legs that include a tapered walnut accent line and feet, and a gently dished walnut top. Shop skills involved in the project are table saw, band saw and router usage. The class will look carefully at the design process, templating, glue-up techniques and construction alternatives.

Class fee: $900

Materials fee: $150

Class size limited to 10

Andrew Glantz is a furniture designer and maker who lives and works in Scottsdale, Arizona. Born and raised on the East Coast, he graduated from the Frederic Gunn School, 1967 and Wesleyan University; BA, 1971 and MAT, 1972. After teaching Graphic Arts for ten years, he turned to period piece renovation and construction from 1978 to 1984. When he moved West in 1984, he began to devote his efforts solely to contemporary, sculptural furniture design and construction. He is the owner of Zenith Design, a one-person studio, and is responsible for all phases of design, construction and marketing. He is an arts activist and before moving to Scottsdale, he lived on the Navajo Nation from 1984 to 1987. He moved to Salt Lake City in 1987, and was involved with the Salt Lake Arts Council, the Salt Lake Arts Center, and the Utah Arts Council’s Endowment Fund Development Committee. He also ran the Vital Arts Gallery as volunteer executive director for three years and has curated several major exhibitions. He relocated to Scottsdale in 2002. A longtime member of the Furniture Society, Andrew was tapped to serve as a trustee in 2005, and served as treasurer, vice president and president of the board of trustees, as well as chair of the development committee. His term of office ended in 2011. He is an active advisor for the Southwest School of Woodworking. He teaches furniture design and construction at the Southwest School of Woodworking in Phoenix and the Marc Adams School of Woodworking in Franklin, Indiana. He is a presenter committee member of he Yuma Art Symposium. His articles on furniture design and construction appear in several trade magazines. He delights in mentoring makers far and wide through teaching and Zoom meetings from Florida to Utah and locally.

Join ABS Master Blacksmith, Scott McGhee, in this class to make a hunting knife. In this 3-day class, students will create an 8.75-inch-long hunting knife with a four inch blade. Starting with a section of flat steel bar, the class will cover forging, grinding, heat treatment, handle fitment, and finishing techniques. Students will leave with a finished, full-tang blade.

This class is physically demanding, and the student is encouraged to be

familiar with blacksmithing or metalworking environment. Beginner blacksmithing

experience is recommended but not required.

Class fee $500

Material fee $50

Must bring:

Work boots/shoes. No sneakers

Long pants, no shorts

Clothing must be cotton/denim/wool, no synthetics

Comfortable safety glasses (we have extra on hand)

Hearing protection (we have extra on hand)

Notepad

Water Bottle

E. Scott McGhee is an ABS Master Bladesmith who lives and works in central North Carolina. Scott learned the art of blacksmithing at Penland School of Crafts at the age of 17 and has played at a coal-fired forge on and off since 1981. In August of 2009, Scott built a gas-fired forge and began bladesmithing in earnest. He obtained American Bladesmith Society Journeyman Certification in 2012, his ABS Mastersmith Certification in 2016, and has been a full-time maker since 2014. In addition to making knives, Scott is an ABS Master Bladesmithing Instructor and teaches knife making at various schools around the country, as well as in his home shop.

Chasing is the art of using specialized hammers, punches, and chisels to emboss images into the surface of metal. From simple to complex, adding chased elements to a metal's surface softens and dignifies its appearance. This class will introduce you to the various tools and techniques to create images and patterns on any metal. You'll use these techniques to create a one of kind Reuleaux triangular vessel that can be used as a planter, vase, pencil holder or be an objet d'art on its own. A Reuleaux triangle is a curved triangular shape that has a constant width like a circle has, leading to a pleasing shape both visually and tactilely. Reuleaux polygons have endless uses in architecture and machine design. Other topics covered include annealing, work hardening, patination, and silver soldering.

This class is open a to all experience levels. Students with a meticulous eye for detail will love this class.

Student tips: Bring your glasses or best magnifying readers. Your noise cancelling earbuds or headphones can make many simultaneous hammers more pleasant.

Class will make use of hand tools, torches, and mild chemicals for cleaning and patination.

Class fee: $275

Materials fee: $75

Class size limited to 6

Brian took his first blacksmithing class in 2005 under local smith Richard Rightmyer to learn how to make his own woodworking tools. Captivated by the feel of hot metal under the hammer, Brian poured all his free time into advancing his smithing skills taking classes whenever he could. Brian began teaching blacksmithing and coppersmithing in 2012 and has demonstrated at many public events and conferences. Recently, he has focused on the art of copper chasing, finding the meticulous attention to detail it requires to be a form of meditation in motion. Brian is an electrical engineer by day and holds a 6th Degree black belt in Aikido. He finds many commonalities with the efficient body movements of martial arts and the proper ergonomics for blacksmithing and coppersmithing. Brian has blended the arts to create effective and safe hammering techniques for people of all sizes. s an engineer, he is fascinated by the science of blacksmithing, specifically the metallurgy that goes into tool making. He firmly believes that true learning happens when you are having fun.

The bandsaw can be one of the most versatile, accurate and safe machines in your workshop—providing it is set up and used properly. A new or even a well used bandsaw with a ½ HP motor can be tuned to cut precision joints or resaw flawlessly without purchasing aftermarket accessories or expensive blades. Installing new tires, selecting and setting blade tension, tracking, cutting curves and resawing will be covered. A variety of useful jigs designed to be used with the bandsaw will be demonstrated. Illustrations will be provided so you can make your own. Michael operates one of the most diversely equipped workshops in North America. It includes three industrial table saws but he can’t remember the last time he ripped a piece of wood on a table saw. Instead, he prefers to use a vintage 15” General Mfg. bandsaw. He bought this bandsaw in 1974, tracked the blade once with only modest tension, installed a factory fence parallel to the miter slot and has not had to adjust it in 50 years. That is one of nine bandsaws in his workshop. Let the bandsaw master show you how to make this simple machine the most versatile in your workshop. This class will be limited to 12 students; while mostly demonstration, the class size will allow for some student hands on.

Canadian designer/maker, teacher and mentor Michael C. Fortune has become acclaimed for his innovative, but resolved, designs for one-of-a-kind objects in wood, commissioned residential furnishings, and items in limited editions. He is acknowledged for both his technical and design expertise, giving lectures and workshops across Canada, United States, New Zealand, Australia, and Brazil. Michael's work has appeared in numerous exhibitions worldwide and he has taught at many schools and craft centers including; Sheridan College School of Crafts and Design, Ryerson Polytechnical Institute, the Rochester Institute of Technology NY, Worcester Center for Crafts in Massachusetts, Anderson Arts Center, Colorado, Savannah College of Art and Design, Australian National University School of Art, and the Marc Adams School in Indiana where the fellowship program for advanced students has been named in his honor. Michael is the senior mentor for the Artist in Residence program (2018, 2020) at the Centre for Fine Woodworking in New Zealand. Fortune’s international career includes consulting for Trinidad and Tobago's Commonwealth Fund for Technical Assistance, working for sustainable source timber in Mexico aimed at supplying the expanding hotel industry within the country, and volunteering for Woodlinks, a joint Canadian/U.S. not-for-profit organization dedicated to revitalizing vocational training in secondary schools throughout North America. Michael is also assisting a new school in Puerto Rico that promotes use of timber salvaged after destructive hurricanes. In 1993, Michael was the first woodworker to receive the prestigious Prix Saidye Bronfman, Canada’s highest award in the crafts, and in 2007 he was the first Canadian to receive the Award of Distinction from the Furniture Society. He received the Mather Award in 2019 for his contribution to craft in Ontario. Michael Fortune has a clear vision of how fine craft can positively effect the culture and economy of Canada and the world beyond. http://www.michaelfortune.com/

Creating shapes or joints in wood that are not flat and straight may seem daunting and beyond what you are comfortable with. There’s a surprisingly simple solution: build a custom support, often called a jig, that puts the piece in a “square” reference so your machine or hand tool can accommodate the irregular form. The next step may be clamping and assembling the shapes and joints. We’ll show you how to identify what’s needed to apply perfect pressure and how to fabricate clamping cauls, both specialized and cauls used repeatedly. This class will open new design and construction vistas.

Topics covered:

1. Learn how to choose the correct hand tool or machine for the task at hand
2. Tools and materials for making jigs, both shop made and purchased
3. How to secure parts in jigs for one-off or repetitive operations
4. Build a collection of reusable clamping cauls that will simplify assembling irregular shapes
5. How to analyze the direction for perfect clamping pressure
6. How to upgrade quick jigs so they last and last

This class will be limited to 12 students and will largely be demonstrations; however, feel free to bring a project idea and Michael can help you problem solve the fabrication.

Canadian designer/maker, teacher and mentor Michael C. Fortune has become acclaimed for his innovative, but resolved, designs for one-of-a-kind objects in wood, commissioned residential furnishings, and items in limited editions. He is acknowledged for both his technical and design expertise, giving lectures and workshops across Canada, United States, New Zealand, Australia, and Brazil. Michael's work has appeared in numerous exhibitions worldwide and he has taught at many schools and craft centers including; Sheridan College School of Crafts and Design, Ryerson Polytechnical Institute, the Rochester Institute of Technology NY, Worcester Center for Crafts in Massachusetts, Anderson Arts Center, Colorado, Savannah College of Art and Design, Australian National University School of Art, and the Marc Adams School in Indiana where the fellowship program for advanced students has been named in his honor. Michael is the senior mentor for the Artist in Residence program (2018, 2020) at the Centre for Fine Woodworking in New Zealand. Fortune’s international career includes consulting for Trinidad and Tobago's Commonwealth Fund for Technical Assistance, working for sustainable source timber in Mexico aimed at supplying the expanding hotel industry within the country, and volunteering for Woodlinks, a joint Canadian/U.S. not-for-profit organization dedicated to revitalizing vocational training in secondary schools throughout North America. Michael is also assisting a new school in Puerto Rico that promotes use of timber salvaged after destructive hurricanes. In 1993, Michael was the first woodworker to receive the prestigious Prix Saidye Bronfman, Canada’s highest award in the crafts, and in 2007 he was the first Canadian to receive the Award of Distinction from the Furniture Society. He received the Mather Award in 2019 for his contribution to craft in Ontario. Michael Fortune has a clear vision of how fine craft can positively effect the culture and economy of Canada and the world beyond. http://www.michaelfortune.com/

This workshop will be an intensive investigation into the design and construction of dining or desk chairs. Making a unique, comfortable, strong and attractive chair is a wonderful challenge and is considered by most to be the pinnacle of woodworking. This course will give you both the anthropometric data (critical human dimensions) required to design comfortable chairs and a simple and effective step by step approach to successfully building chairs even if they incorporate compound curved members and seemingly complex joinery. Participants will develop their own chair design with Michael’s guidance during the class and will then fabricate a full size mock up that can be sat in and evaluated.

The history of chairs will be covered in a slide presentation. Demonstrations on how to make scale models, full size mock ups and jig making for chairs will take place throughout the week. Straightforward methods of upholstering chair seats and backs will be also be covered. Michael will bring examples of several chairs that he has made and will discuss what inspired the designs and how he employs an organized sequence of jigs to fabricate his chairs. The "Getting to Know Your Bandsaw" class on August 15 and the "Using Jigs to Advance Your Woodworking Skills" class on August 16 are ideal classes to take in addition to this 5-day class.

Class fee: $950

Materials fee: $100

Class size limited to 10

Canadian designer/maker, teacher and mentor Michael C. Fortune has become acclaimed for his innovative, but resolved, designs for one-of-a-kind objects in wood, commissioned residential furnishings, and items in limited editions. He is acknowledged for both his technical and design expertise, giving lectures and workshops across Canada, United States, New Zealand, Australia, and Brazil. Michael's work has appeared in numerous exhibitions worldwide and he has taught at many schools and craft centers including; Sheridan College School of Crafts and Design, Ryerson Polytechnical Institute, the Rochester Institute of Technology NY, Worcester Center for Crafts in Massachusetts, Anderson Arts Center, Colorado, Savannah College of Art and Design, Australian National University School of Art, and the Marc Adams School in Indiana where the fellowship program for advanced students has been named in his honor. Michael is the senior mentor for the Artist in Residence program (2018, 2020) at the Centre for Fine Woodworking in New Zealand. Fortune’s international career includes consulting for Trinidad and Tobago's Commonwealth Fund for Technical Assistance, working for sustainable source timber in Mexico aimed at supplying the expanding hotel industry within the country, and volunteering for Woodlinks, a joint Canadian/U.S. not-for-profit organization dedicated to revitalizing vocational training in secondary schools throughout North America. Michael is also assisting a new school in Puerto Rico that promotes use of timber salvaged after destructive hurricanes. In 1993, Michael was the first woodworker to receive the prestigious Prix Saidye Bronfman, Canada’s highest award in the crafts, and in 2007 he was the first Canadian to receive the Award of Distinction from the Furniture Society. He received the Mather Award in 2019 for his contribution to craft in Ontario. Michael Fortune has a clear vision of how fine craft can positively effect the culture and economy of Canada and the world beyond. http://www.michaelfortune.com/

Explore the art and craft of applying veneer to curved and sculpted forms. In this two-day intensive, students will learn a range of techniques through demonstrations, short lectures, and hands-on exercises designed to build both confidence and skill.

Working with a variety of tools and methods, you’ll practice:

• Hot iron hammer veneering

• Vacuum veneering for compound and simple curves

• Free-form vacuum bagging techniques

• Making and using curved cauls

• Preparing and softening veneer for bending

• Understanding and choosing the right adhesive

This class is perfect for furniture makers and woodworkers interested in expanding their veneering skills beyond flat work. Whether you’re adding subtle contours or tackling more complex shapes, you’ll leave with the knowledge and experience to approach curved surfaces with precision and creativity.

Class size limited to 12

Owain Harris is a self-taught woodworker who operates a furniture studio in Gonic, NH, where he designs and builds custom furnishings for galleries and residential clients. He began his career in wood as a framing carpenter in 1997, and worked as both a finish carpenter and remodeler before moving into the shop full-time in 2008. Owain is a juried member of the League of NH Craftsmen and the New Hampshire Furniture Masters Association, where he currently serves as Chair. His work has received multiple awards, including a Pinnacle Award from the International Society of Furniture Designers and a Veneertech Craftsman Challenge Award. Owain has been featured in numerous publications, including Fine Woodworking and NH Home Magazine. Owain shares his passion for furniture making and design through teaching at craft schools and institutions around the country.

This hands-on course introduces the fundamentals of designing and building solid wood case pieces—the essential foundation of fine furniture making. Designed for beginners with basic wood shop experience, or for intermediate woodworkers looking to sharpen their technique, this class explores both the creative and technical sides of case construction. Case pieces—such as chests, sideboards, and desks—offer unique challenges and design possibilities. Over the week, students will build a simple case piece that serves as a practical study model. Through a mix of demonstrations, guided practice, and discussion, you’ll learn to:

• Identify and compare the main types of case construction

• Design and plan a project from sketch to cut list

• Select, mill, and prepare lumber for stability and accuracy

• Explore joinery options and case assembly methods

• Make and fit drawers and doors

• Choose and install hardware

By the end of the week, you’ll have a solid understanding of how to design, plan, and build functional, elegant casework with confidence.

Materials fee: $75

Class size limited to 12

Owain Harris is a self-taught woodworker who operates a furniture studio in Gonic, NH, where he designs and builds custom furnishings for galleries and residential clients. He began his career in wood as a framing carpenter in 1997, and worked as both a finish carpenter and remodeler before moving into the shop full-time in 2008. Owain is a juried member of the League of NH Craftsmen and the New Hampshire Furniture Masters Association, where he currently serves as Chair. His work has received multiple awards, including a Pinnacle Award from the International Society of Furniture Designers and a Veneertech Craftsman Challenge Award. Owain has been featured in numerous publications, including Fine Woodworking and NH Home Magazine. Owain shares his passion for furniture making and design through teaching at craft schools and institutions around the country.

Japan boasts some of the oldest wooden buildings on earth. Their longevity relies on intricate joinery that not only can withstand the years of elements, but are also reversible for inevitable repairs. In this weekend class Andrew will introduce students to the secrets behind these sophisticated joints. Student will learn principles that are applicable to both furniture makers and timber framers alike.

Each participant will cut their own Kanawa scarf joint entirely by hand. This intricate joint is a perfect exercise for getting started with Japanese joinery. Students will learn how to use centerlines and story sticks to make simple work of complex layouts and how to most efficiently use their hand tools to work to these lines. Andrew will demonstrate methods for getting tight fitting joinery every time.

Students are encouraged to bring their own Japanese tools to class. Andrew will offer feedback and assistance on getting them tuned and set up to work more efficiently. If you don’t have your own collection of Japanese tools (yet), no worries, bring what you have. Andrew will have a selection tools for students to try out as well as the well stocked collection of western tools provided by the school.

Class fee: $350

Materials fee: $25

Class size limited to 10

Andrew is a custom furniture maker working and living in New York’s Hudson Valley. Best known for his use of traditional Japanese hand tools, Andrew demonstrates and teaches across the country. As a self-taught woodworker, he offers a unique perspective to other Americans exploring Eastern woodworking. His workshops demonstrate that by understanding the fundamental principles behind other cultures’ tools and techniques, all woodworkers can benefit. A frequent contributor to Fine Woodworking magazine, he is eager to share what he has learned in his 25-plus years of making furniture. https://www.instagram.com/andrewhunter_furniture/

Erik will walk you through the design and construction of his textured wall hanging whiskey cabinet. The class will cover the ever important topic of grain selection and discuss what joinery is most appropriate—housed stub tenon, floating tenons, or sliding dovetails, for example—using a combination of simple machinery and hand tools. And of course we will cover how to compose and power carve a cabinet door. Finally, Erik will discuss his various finishing techniques and what makes the most sense in a professional shop as well as your home shop. Students will leave with both a beautiful cabinet for their favorite whiskey AND the confidence and necessary skills to take on a project of this caliber in their own shop!

Class fee: $900

Materials fee: $150

Class size limited to 10

Erik Curtis is an American woodworker, sculptor, and television personality. He attended the Nine-month Comprehensive at the Center for Furniture Craftsmanship in 2012 and has taught at schools around the country. His creative practice combines the sculptural with the functional in an attempt to blur the line between furniture and art. He also stars as the carpenter on Netflix’s "Instant Dream Home." www.encurtis.com.

There is no satisfaction like making something with tools that you've made. This workshop will focus on forging functional tools for use in the woodshop. Students will start by learning about appropriate steels and how to process them to bring out the desired qualities in hand tools such as durability, edge retention, and sharpenability. Students will then forge a large scorp for chairs an bowls and a some smaller scorps for detail carving. Tools will be forged, filed, and rough ground prior to heat treat. After heat treating tools will be finish ground and sharpened as time allows.

This class is open a to all experience levels but prior forging experience is recommended. This is an interactive, hands on course where you will be forging tough materials. Some project modifications may be made for those with less experience. Class will make use of hand and some power tools (grinders).

Class fee: $275

Materials fee: $50

Class size limited to 6

Brian took his first blacksmithing class in 2005 under local smith Richard Rightmyer to learn how to make his own woodworking tools. Captivated by the feel of hot metal under the hammer, Brian poured all his free time into advancing his smithing skills taking classes whenever he could. Brian began teaching blacksmithing and coppersmithing in 2012 and has demonstrated at many public events and conferences. Recently, he has focused on the art of copper chasing, finding the meticulous attention to detail it requires to be a form of meditation in motion. Brian is an electrical engineer by day and holds a 6th Degree black belt in Aikido. He finds many commonalities with the efficient body movements of martial arts and the proper ergonomics for blacksmithing and coppersmithing. Brian has blended the arts to create effective and safe hammering techniques for people of all sizes. s an engineer, he is fascinated by the science of blacksmithing, specifically the metallurgy that goes into tool making. He firmly believes that true learning happens when you are having fun.

In this course, you will learn the important concepts of building rockers and how to build quality furniture safely and efficiently. You will also learn how to use a wide variety of power tools, perform complicated joinery, and build a piece of furniture successfully.

We will dive into this class learning techniques to design and build furniture that is curved and has compound angles. Students will learn and be comfortable using a horizontal mortiser. They will also be introduced to the business aspects of building furniture.

Learning objectives:

1. Joinery at complex angles
2. Techniques of chair building
3. The angles and designs that make chairs comfortable

Class price: $1100

Materials fee: $200

Class size limited to 10

Alexis grew up in a family of builders and artists. While designing and building her own house and working alongside her dad, a long-time woodworker, she embarked on a career of building fine furniture. She apprenticed with many talented and successful woodworkers before starting her business in Bozeman in 2019. Alexis builds custom fine furniture and teaches classes out of her own shop and at various woodworking schools in the US. Alexis is a founding member and the president of the Bozeman Woodworking Guild created to help develop the localwoodworking community and encourage and support local craftsmen focusing on novice woodworkers. https://www.dolesewoodworks.com/

In this class, students will create a 6-7" European-style chef knife. Starting with a section of flat 1080 steel bar, the class will cover forging, grinding, heat treatment, handle fitment and finishing techniques. Students will leave with a finished, hidden tang blade ready to take home and prep a meal. There will be opportunities for additional forging as time allows. Beginner blacksmithing experience is strongly recommended but not required.

Course fee: $500

Materials fee: $50

Class size limited to 6

Zach is a welder by trade with experience in a wide range of industries. Based in rural NY, he is an ABS bladesmith who creates custom, heirloom-quality, hand forged kitchen cutlery and edged tools. He strives to blend traditional and modern techniques and materials to create quality tools to be used for decades in the kitchen. After teaching welding for Monroe Community College and at the Arc + Flame Center for seven years, Zach now runs his own company where, in addition to blades, he manufactures tooling and machines for blacksmiths and metalworkers. He is passionate about collaborating with other local artisans, makers, and tradespeople. In his classes, Zach seeks to inspire students by sharing the functional artistry of modern bladesmithing. https://tarbellindustries.com/

Wood hand planes are a joy to use, and once you know the steps to make them, you will be able to make planes in any shape and size, including curved bottom planes. In this weekend workshop students will construct a classic smoothing plane with a 1¾" iron, and it may become your new favorite hand tool. Tim was a student of Jim Krenov in the 1980s and learned directly from him how to create “the cabinetmaker’s Stradivarius”, as Krenov referred to the handmade plane.

Class fee: $350

Materials fee: $100

Class size limited to 10

Tim Coleman creates custom furniture in a shop he built a few paces from his home in rural Western Massachusetts. He has been creating furniture for clients and exhibition for more than 35 years after studying at the College of the Redwoods with James Krenov in the 1980s. Tim is known for his graceful and dynamic furniture forms which often feature richly patterned and textured surfaces. Using low-relief carving, marquetry, embossing, and thick veneer tiles, he has developed simple but innovative techniques that put a new spin on traditional embellishment. As passionate as Coleman is about his own work, he is equally excited to pass on his knowledge as a frequent contributor to Fine Woodworking Magazine and by teaching at schools throughout the US.

This stool is featured in the latest Fine Woodworking magazine.

In this 5-day workshop, students will learn to build a contemporary counter stool that combines precise machine work for the legs and stretchers with a hand-shaped seat and footrest. Featured in the most recent issue of Fine Woodworking Magazine, this shapely stool is a great project to learn mortise and tenon joints, both through tenons and floating tenons to connect the legs to the solid wood seat. Students will have lots of practice with the band saw to cut the legs, seat and footrest, and will also gain experience with a hollow chisel and slot mortiser. The seat is shaped with a compass plane, and students will use carving gouges and round bottom planes to shape the cove under the seat. Tim will provide a detailed, measured drawing for each student and jigs to aid in the making.

Class fee: $900

Materials fee: $75

Class size limited to 10

Tim Coleman creates custom furniture in a shop he built a few paces from his home in rural Western Massachusetts. He has been creating furniture for clients and exhibition for more than 35 years after studying at the College of the Redwoods with James Krenov in the 1980s. Tim is known for his graceful and dynamic furniture forms which often feature richly patterned and textured surfaces. Using low-relief carving, marquetry, embossing, and thick veneer tiles, he has developed simple but innovative techniques that put a new spin on traditional embellishment. As passionate as Coleman is about his own work, he is equally excited to pass on his knowledge as a frequent contributor to Fine Woodworking Magazine and by teaching at schools throughout the US.

Marquetry is the delicate art of creating intricate images, decorative elements, and lettering by cutting and fitting together different wood species. Originating during the Italian Renaissance, marquetry has adorned furniture, church pews, and grand panels in homes and palaces for centuries. Over time, its techniques and styles evolved as the craft spread worldwide.

In this two-day introductory class, Frank will guide you through his favorite marquetry techniques, including packet cutting and double-bevel sawing, revealing that anyone can bring this timeless art to life. You’ll learn how to select and prepare veneers, use essential tools, and practice foundational skills. Starting with simple designs, you’ll then explore reproducing historical paterae—classic motifs found on 18th and 19th-century furniture. Along the way, you’ll master sawing methods and ancient techniques like sand shading to achieve depth and a three-dimensional effect.

The course culminates in double-bevel cutting, where you’ll practice precision techniques for creating flawless lettering with no visible gaps. Join us for a journey into the rich tradition of marquetry and discover how to bring beautiful, wood-crafted artistry into your work.

Class fee: $385

Materials fee: $50

Class size limited to 10

Frank Strazza is a master traditional fine furniture maker with over 30 years of experience, based in Central Texas. His woodworking journey began at the tender age of 11. After graduating, Frank served many years as an apprentice honing his craft under the tutelage of renowned artisan Paul Sellers. Frank's work has been showcased in local and national publications and is part of the White House's permanent collection. His masterpieces have garnered multiple top awards in nationally recognized furniture shows, including Best of Show and People's Choice. He has been building furniture for over 25 years and his work has been featured in both local and national publications, including Woodworker West, Woodwork Magazine, and Fine Woodworking. A passionate educator, Frank travels across the country imparting the timeless skills of hand tool woodworking to eager students. His diverse interests span Windsor chair making, intricate inlay, violin crafting, and the art of marquetry. When he's not in the shop, Frank can be found cycling, and making music on the mandolin and cello. http://www.strazzafurniture.com/

In this immersive class, students will gain a strong foundation in traditional hand-tool woodworking, learning core joinery techniques that have stood the test of time. Led by Frank Strazza, who brings over 30 years of experience and knowledge from his own traditional apprenticeship, this class is an ideal opportunity to build lasting skills. Instead of focusing on completing a project, students will practice fundamental techniques, developing a deeper understanding of woodworking essentials that can be applied to future projects with confidence and precision.

You’ll learn to work with essential hand tools—saws, planes, chisels, and scrapers—while discovering the methods to keep them sharp and effective. You’ll hand-cut a variety of classic joints, including dados, dovetails, and mortise and tenon joints, each skill building upon the last. By starting with a rough board, you’ll also learn to four-square it entirely by hand, gaining hands-on experience in planing and working the wood from its raw state. Toward the end of the week, you’ll have the chance to use your new skills to begin creating a simple dovetailed box, blending all of the techniques you’ve learned. The emphasis is on technique rather than rushing to finish a project, giving you a solid grasp of joinery fundamentals.

Key Techniques Covered

Joinery Fundamentals:

1. Hand-cut dados
2. Dovetails (through and half-blind)
3. Mortise and tenons, including through mortises

Tool Mastery:

1. Adjusting and using essential hand tools, including saws, planes, chisels, and scrapers
2. Sharpening chisels, saws, scrapers, and planes to keep them at peak performance
3. Four-Squaring a Board:
4. Learning to plane a rough board to a fully four-squared state

Course Takeaways

By the end of the class, you’ll have the confidence to hand-cut various joinery types, tune and use hand planes to their fullest, and apply sharpening techniques to keep your tools in top condition. This course gives you a solid foundation in joinery, allowing you to approach future woodworking projects with skill and confidence.

Class fee: $900

Materials fee: $25

Class size limited to 10

Frank Strazza is a master traditional fine furniture maker with over 30 years of experience, based in Central Texas. His woodworking journey began at the tender age of 11. After graduating, Frank served many years as an apprentice honing his craft under the tutelage of renowned artisan Paul Sellers. Frank's work has been showcased in local and national publications and is part of the White House's permanent collection. His masterpieces have garnered multiple top awards in nationally recognized furniture shows, including Best of Show and People's Choice. He has been building furniture for over 25 years and his work has been featured in both local and national publications, including Woodworker West, Woodwork Magazine, and Fine Woodworking. A passionate educator, Frank travels across the country imparting the timeless skills of hand tool woodworking to eager students. His diverse interests span Windsor chair making, intricate inlay, violin crafting, and the art of marquetry. When he's not in the shop, Frank can be found cycling, and making music on the mandolin and cello. http://www.strazzafurniture.com/